african american cinema

Yay! Women Win! So Do Of Colors…in the most wonderful of ways!

No, Sandy. Thank YOU! 🙂

I, along with millions of others, waited with bated breath as envelopes were opened and my work as an Oreo was thankfuly confirmed!

(First, I must pause to say, let’s hear it for the interpretive dance number…am I right!!!)

So many good things in this year’s 82nd Annual Academy Awards Ceremony. Director Kathryn Bigelow was awarded as the first female to win Oscar for Best Director for her work on The Hurt Locker. And in precious news to all those who are trying to escape their ethnicity, Sandra Bullock won for Best Actress for her work in the Oreo-tastic film, The Blind Side.

Bonus points for screenwriter Geoffrey Fletcher and actress Mo’Nique for their work on Precious. Extra bonus points goes to ‘Nique for leading us into the final Barbara Walters interview with some weird talk about how she and her husband are allowed to have sex with other people and an up close and personal look at how she doesn’t shave her legs. Why limit the conversation to tasteful, reasonable topics? We have an image to uphold and thus work against, here!

Bonus, bonus, bonus points for her ending the segment, not with the poised Mo’Nique we saw at the Academy Awards, but for sassing it up, just to remind us that we really only want the Academy to be just so progressive. Otherwise, of colors look just like regular people and all of our work is in vain. 

It’s great for women that the seal has been broken by Bigelow and that the nation can see that a woman is capable of directing a powerful, tense and gripping film with complex characters and a moving story.

Thank goodness then, that we are keeping of colors in the box that we as Oreos and Oreo adjacents need them to be in. 

By awarding a screenwriter for writing about the worst of of colorness and an actress for playing the worst of colorness while also awarding another actress for taking care of of colors when (per the other film featuring black people that was nominated for an Academy Award) no one else can, the Academy has reminded all of us of just how great it will be to shun our skin and ascend into true Oreodom. 

Nevermind that TBS leaves out a few key points of the story as  writer Prairie Miller puts it:

“… The Blind Side excels at expressing the profound maternal affection and protective instincts Tuohy develops for this lost young soul, other troubling matters that come to light are skimmed over, and never quite resolved with dramatic assurance. In particular, the formal charges that were eventually leveled against Tuohy and Oher’s high school football coach Hugh Freeze, by the National Collegiate Athletic Association. And essentially, that the boy was being financially exploited by this family seeking legal guardianship over him. Along with Freeze, who eventually got a paid position at the college, where both pressured for his matriculation as a student participant in football.

Eventually Freeze was found in ethical violation, though the movie avoids a deeper exploration of rampant exploitation of ghetto youth in sports. A far better film this year that tackles those issues head on, is the Anna Boden/Ryan Fleck candid Dominican baseball drama indie, Sugar.”

Peccadilloes like legal quandaries are a small price to pay for keeping the social order in check. 

Bonus points to me for DVRing this shindig so that I can watch both those fantastic pas de deux and see Sandy bring it home for me again and again and again.